DAYME AROCENA – CUBAFONIA (Lp)

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With Cuba poised to become more connected to the rest of the world, the Cuban people’s pride in a unique musical heritage has never felt more vital. Arising from that lineage, Daymé Arocena has returned to deliver an ambitious second long player; rooting her compositions in Cuba’s classic rhythms, Daymé encompasses the rich, diverse musical make-up of her home whilst looking outward too – to the world she has spent the last two years traveling.

It’s her most polished, fully realised project since meeting her mentor (and record label head), Gilles Peterson, in 2012. Benefiting from Gilles’ expansive vision as a DJ, broadcaster and promoter, Daymé has been nurtured to this point by the Havana Cultura project – a platform for contemporary Cuban creativity driven by Havana Club rum.

First, there was 2014’s Havana Cultura Mix album, which introduced her to working with electronic producers for the first time. She then accompanied Gilles in his journey through rumba culture for the expansive Havana Club Rumba Sessions project, which produced a feature-length documentary along with an album – using her distinctive vocals – of rumba reimaginings and sample pack. As a solo artist, she released her debut album Nueva Era to critical and popular acclaim in 2015, with an EP of cover versions, titled One Takes, released in early 2016.

The reception to her music has spurred a whirlwind of opportunities: she shared an off-the-cuff live moment with Roy Ayers and Brazilian superstar Ed Motta to leave Worldwide Festival in tears of joy, jumped on stage with Miguel Atwood-Ferguson at his triumphant Suite for Ma Dukes show at the Barbican, and rung the opening bell of the New York Stock Exchange with a delegation from Women of the World. She has played shows from LA to Tokyo, charming audiences with her mesmerising vocal range and earthy sense of humour. She name-checks Kendrick Lamar and Anderson Paak as artists she would love to work with.

Despite all that, however, it’s not distracted Daymé from a deep sense of seriousness about her art form; born of a uniquely musical culture, she strives to forge a cohesive musical language from Cuba’s distinct musical dialects. Growing up in a two-bed house with 21 other people, every available surface was scuffed from the rumba rhythms which had been played out on them. It’s a childhood typical of a country where children grow up readily exposed to the island’s numerous, particular rhythms.

That immersive upbringing forms the record’s starting point. Entering one of Havana’s prestigious, state-funded classical conservatoires at age 9, that rigorous classical training has informed an interconnected vision of Cuban music, where inspiration comes from the Caribbean island’s different rhythms and styles – from Guantánamo’s fast-paced changüí, to ubiquitous guaguancó and ‘70s-style ballada. Sung mainly in Spanish, Daymé drops into English (and even tries out a little French) when the mood takes her. Produced alongside Soundway artist Dexter Story, with string arrangements from Miguel Atwood-Ferguson, this is heritage music for modern-day citizens of the world.

Interviewing Daymé at the Sound of Cuba showcase at SXSW last year, NPR wrote, “It is hard to imagine a better voice to open her country’s gates” – and it feels like this statement holds true. Ambitious, hardworking, and hungry for cultural exchange that doesn’t compromise the unique flavour of her home country of which she is so proud, it feels like 2017 could be a monumental year for Daymé. She possesses a clear sense of her music’s intermingling influences: “We don’t have this native culture,” she explains. “We don’t have indigenous people, like Maya or Quechua. They made a country with people from everywhere – that’s what makes Cuban culture so different.”

DAYME AROCENA: Facebook, Bandcamp

BROWNSWOOD: Facebook, Bandcamp

DAYME AROCENA – VALENTINE

DAYME AROCENA – IT’S NOT GONNA BE FOREVER

DAYME AROCENA – MAMBO NA MA

DAYME AROCENA – TINY DESK CONCERT

DIVANHANA – 16.3. @ KINO ŠIŠKA

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Po jesenskem koncertu Damirja Imamoviča, bodo tokrat Sevdah v Kino Šiška predstavljali DIVANHANA. 

Ansambel Divanhana je ob Imamoviću, Amiri Medunjanin in Božu Vreću eden od najpomembnejših ambasadorjev novodobne fuzije bosanske glasbene tradicije z jazzom in pop glasbo. Na svojem drugem koncertu v Šiški bo predstavil svoj najnovejši album Zukva.

Že s prvim albumom Dert (2011), posnetim s svetovno znanim producentom svetovnih godb Walterjem Quintusem, je skupina Divanhana s svojim etno glasbenim raziskovanjem očarala množice. Spoj tradicionalne glasbe, zlasti sevdalink, z jazzom, popom in klasično glasbo 20. stoletja je kmalu po izdaji prvenca Divanhano odpeljal na evropsko turnejo, kjer je povsem spontano in neobremenjeno nastajal material za album Bilješke iz Šestice (2013). Ta je Divanhano uveljavil kot redno gostjo najrazličnejših glasbenih festivalov – med drugim je morala zaradi izjemnega zanimanja na bruseljskem festivalu Trafik odigrati kar štiri koncerte.

Ob eksperimentiranju z lastnim izrazom je Divanhana k sodelovanju na novem albumu povabila tudi slavonske tamburaše, glasbene virtuoze in nadarjeno sevdah pevko Naido Čatić, sedaj tudi članico skupine. Navdih za ime nove izdaje, Zukva, so člani zasedbe našli v sadovnjakih Bosne in Hercegovine. Kislo jabolko pod imenom zukva je kot sinonim cepljenja in križanja ter vedno dobrih plodov namreč tisto, kar sami čutijo v svoji glasbi – mešanje tradicionalne sevdalinke z močnimi glasbenimi vplivi drugih godb.

Vstopnice: LINK

DIVANHANA: Uradna stran, Facebook

KINO ŠIŠKA: Uradna stran, Facebook

FB DOGODEK – LINKdivanhana

DIVANHANA – OJ SAFETE, SAJO, SARAJLIJO

DIVANHANA – DA SAM PTICA

DIVANHANA – S ONE STRANE PLIVE

DIVANHANA – EMINA

GREGORY PORTER – 23.4. @ CANKARJEV DOM

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Gregory Porter je prejemnik nagrade grammy 2017 za najboljši vokalni jazz album za ploščo Take Me To The Alley, grammyja za najboljši vokalni album pa je že osvojil za Liquid pred tremi leti.

Leta 2014 je na 55. Jazz festivalu Ljubljana dvignil na noge polne Križanke, zato njegovo ponovno gostovanje v Ljubljani pričakujemo še s toliko večjim vznemirjenjem in nestrpnostjo.

Jazzovski svet že dolgo kakšnega (moškega) pevca ni častil tako kot Gregoryja Porterja, pevca s toplim, toda tudi odrezavim baritonom, ki se napaja tako v soulu sedemdesetih let ter klasičnih jazzovskih baladah in popevkah (Nat King Cole) kot v angažiranem gospelu in bluesu. Nedvomno vodilni jazzovski vokalist bo na tokratnem koncertu predstavill novi album Take Me To The Alley in kajpak zapel tudi starejše uspešnice na čelu s Hey Laura.

GREGORY PORTER: Facebook

porter

GREGORY PORTER – HEY LAURA

GREGORY PORTER – HOLDING ON

GREGORY PORTER – LIQUID SPIRIT

GREGORY PORTER – MUSICAL GENOCIDE